The Killers (Universal 1946, Burt Lancaster, Ava Gardner)

The Killers (Universal 1946, Burt Lancaster, Ava Gardner)

An insurance investigator’s inquiry into the murder of a former boxer uncovers a tangled web of betrayal, a major heist, and a quintessential femme fatale.

Two hitmen walk into a small-town diner and murder ex-boxer Pete Lunn, also known as “the Swede” (Burt Lancaster). The Swede passively accepts his fate, a detail that perplexes insurance investigator Jim Reardon (Edmond O’Brien). Compelled to understand why, Reardon reconstructs the dead man’s life through a series of flashbacks told by those who knew him. The story that emerges is a labyrinthine tale of a doomed love affair with the beautiful Kitty Collins (Ava Gardner), her relationship with a crime boss, and a meticulously planned payroll robbery that ultimately seals the Swede’s fate.

Director Robert Siodmak’s film is a landmark of the film noir genre, expanding a sparse Ernest Hemingway short story into a full-bodied narrative of greed and fatalism. The flashback structure, a hallmark of noir storytelling, masterfully builds suspense as the investigator unearths the layers of betrayal. The film launched Burt Lancaster to stardom in a powerful debut and cemented Ava Gardner’s persona as one of cinema’s most definitive femme fatales. With an uncredited script contribution from John Huston and a famously ominous score by Miklos Rozsa, whose main theme was later used for the television series Dragnet, the film stands as a masterclass in mood, character, and suspense.

Production Co: Universal / 105 minutes / 1946
Director: Robert Siodmak
Screenplay: Anthony Veiller

Main Cast: Burt Lancaster (‘Swede’ Andersen), Ava Gardner (Kitty Collins), Edmond O’Brien (Jim Reardon), Sam Levene (Lt. Sam Lubinsky), Albert Dekker (Big Jim Colfax), William Conrad (Max), Charles McGraw (Al)

Head of film reviews at The Viewers Guide with an erudite, insightful, slightly sardonic, deep appreciation for classic cinema. Has a habit of quoting obscure lines from old films in everyday conversation. He keeps a meticulously organized film logbook. He's a bit of a tea snob.